




I saw this pattern in the Stitches & Loops store and just had to have it. I imagined owning the entire suit and being just as chic and professional as the model. Well, I now have one of the three items concluded. This little top is what was described back then as an overblouse. It could also be worn over a sleeveless dress to expand wearing options. More elegant versions in satin or crepe would be worn over evening gowns.
What I loved about this design and that of the jacket is that the darts mimic each other on the pieces. I also found in construction of this top that the shoulder darts and french dart on the side add flattering shaping to the top.
For the top, I used a lovely drapey red cotton twill that I'm also using for the Colette Patterns' Oolong dress. I then added four white 1-inch pearlized buttons from my late mother's button stash.
For the jacket and skirt, my dream would be to find a salt and pepper boucle with maybe a hint of another color running through it. But for boucle, that means I have a bit of a weight until they are in season again. Never mind, I have plenty to wear this red shirt with right now.
For a complete pattern review, click here.
A while ago, I wrote about the green silk dress from the movie Atonement and how it was created. Well, Gemma commented here and on my personal blog that her wedding dress was inspired by that movie costume and that she had pictures. So, of course I emailed her to send those pictures to me. After I saw them I knew I wanted to ask her some questions on why that dress and how. Here are some gorgeous pictures of her completed dress and please enjoy the rest of her answers on my blog.
I'm Gemma McCrory from Belfast, Northern Ireland but now living in London, England. Any spare time that I have I love to shop! Depending on my mood I either like trawling through vintage shops and warehouses or searching on the high street for vintage styled pieces. I am not very good with my hands so am a bit hopeless at actually making my own, but what I am good at is finding vintage patterns and emailing them to my sister-in-law in Belfast to make for me. It was Marie, my sister-in-law and 1940s fanatic, who actually alerted me to Lsaspacey's post about my wedding dress.
Did they use that same Vogue pattern to make it or did they copy the dress from pictures? How many tries (muslins) were made before the final dress?
The happy couple!

However, over a year ago, I was reading through the archives of The Costumer's Guide (a fabulous site on film costuming) and read about the dress. The page on the dress includes detailed closeups of the dress after it was placed on display and anything else you might want to know about the choice of that particular shade of green to any details on Cee's other costumes is there or a link is provided to other sources. One of those links was to a great post on the creation and maintenance of the many dresses used in the film at Sunday Couture. It detailed how delicate the original dresses were because of their laser cut detail work. Shirred Skirt Fabulousness from the 1949 Sears Catalog
In between muslining my Sencha blouse, schmoozing over falafel with the fabulous Bloggers and Blogettes (more on this later!), fighting off a nasty cold and decluttering the apartment for Cartoonist Baby, I've been working out the pattern-free pattern for my reversible shirred-waist full skirt:
This skirt is the foundation of my spring mini-wardrobe contest plans--like the no-elastic yoked knit skirts I've been making, it should be stretchy enough to accommodate the most pregnant of bellies, but will still work just fine post-maternity.
But, horrors! As you recall I hit a roadblock recently when I discovered that my purchased Burda shirred-yoke skirt pattern was a circle skirt that just Would Not Do with my vertically patterned purple cotton lawn.
What I really needed was a pattern for a full skirt, like this 1950s number:
Or like this RTW reversible Gap skirt (the reverse side is a solid). It's not a maternity skirt at all, it fit me just fine before I gained 30 pounds of belly, bustage and baby, AND it is still quite comfortable in my third trimester!
Except no pattern is really needed at all for a dirndl/full skirt--as Gertie revealed in her tutorial on a non-elastic version, it's just a bunch of gathered rectangles. All you do is choose how full/gathered you want the skirt to be in relation to your hips (two times? three times?), "draft" a waistband piece, gather, cut and sew.
Construction is a bit different for a reversible elastic-shirred version with a deep yoke instead of a waistband, of course. And I've never shirred a stitch before in my life. So here's a peek at the Mikhaela test lab:
As you can see I've worked out some measurements and a likely construction sequence and cut out my (wearable) test garment pieces in a small-scale gingham ($1.50 a yard from Fulton Fabrics!). Right now I'm playing with different elastic shirring techniques on some muslin--none of my sewing reference books are very detailed on the subject, and online tutorials and advice differ widely on ideal stitch length/tension and how tightly the elastic should be wound on the bobbin.
I don't know yet if the test tube version of my shirred skirt will be a success, but once I achieve World Shirring Domination I promise not to take it too far:
(Crossposted to my blog, Polka Dot Overload).
From top left: 'Ya'll Can't Walk No Line' outfit, Pin Dot Dress, Poppy Dress, Wildwood Flower Dress, Border Print Skirt Outfit
What was I thinking? Last night I sat down to wash the fabric and tape together the skirt pattern for my mini-wardrobe contest entry--it's an elastic-shirred waist circle skirt in a purple lawn print, which I planned to make reversible by lining with a black dotted swiss cotton lawn. Here are the flats and planned fabric again:
As I ironed the fabric dry last night, I realized that the bold motifs ran in vertical stripes down the fabric--how would I ever lay this out with my bagel-shaped pattern pieces?
In my doubts I turned to one of my favorite fashion reference books, "Everyday Fashions of the Fifties: As Pictured in Sears Catalogs" (second in my heart only to "Everyday Fashions of the Forties"). My worst fears were confirmed--there was nary a vertically-striped (or otherwise vertically patterned) circle skirt in sight, though there were a few horizontal or chevroned striped numbers. All the vertically-striped gals were wearing full or fitted skirts:
I trust the Sears catalog ladies, so I'll be "drafting" a full skirt (i.e. taking a big rectangle and gathering it around my pregnant "waist" with shirring elastic.)
As a bonus, how much fun is the 1952 children's circle skirt spread the top image came from? If I ever do make any circle skirts, I will be sure to take every opportunity to pose sitting on the floor with my perfect circle spread out around me!
I'd love to be proven wrong here, by the way--have you ever made or seen a workable vertically-striped circle skirt? Am I just not thinking creatively here?
Cross-posted to my blog.


