

For this one, I started in my usual size, but tapered to a size smaller at the waist and then flared it back out again. This way, I almost have an hourglass silhouette, without any of the crazy 1940s/1950s girdle problems.
In addition to lengthening the bottom pattern pieces for the skirt, I also lengthened and widened the neck line. (I would have been considered a bad influence in the '50s, I'm sure.)

When I bought the lace, it was already underlined with a very soft cotton. Rather than change the lining, I kept the original fabrics together, hand sewing them together before cutting out the pieces. In assembling the skirt, I sewed through both layers, so the darts are practically invisible from the right side.
I also altered this patter slightly. To accommodate the size of the piece of fabric I was working with, the skirt is actually an inch or two shorter than specified (there's that bad influence again). I also added a waist band in a matching champagne/gold satin. The closure, an invisible zipper and a mother of pearl button for the waist band, are in the back seam. There is also a really beautiful little pleat in the back seam (I which I wish I could take credit for it, but it was in the pattern).
Now all I want to is wear lady clothes, heels and drink cocktails.