Intro and first project
an almost finished object
Last friday I posted a pic of a McCall's pattern from the early 60's that I had started. Here it is so far: That's a close-up of the waistband at the top there. In case you wanted to see what 4 yards of fabric looks like when it's gathered into a 28" waistband!
Retro Fabric
Simplicity 8477
Some of you might remember this dress from a post Erin did on Dress A Day back in October. I loved the sweetheart neckline, the pleated cap sleeves, the softly pleated folds of the skirt etc, bought the pattern and decided to make a winter party dress out of it. I used a red silk bought for £7/m in a tiny fabric shop in Brick Lane that was literally stacked to the rafters with bolts of fabric. I'm not sure exactly what you would call it - dupion or silk taffeta - but it has a lot of body. Unfortunately there was probably too much body for the pleats, and I had to make a fairly dramatic net petticoat (following Gertie's crinoline tutorial and adding more layers) to make the whole thing look like it was meant to stand out stiffly rather than drape softly.
Other changes: I redrafted the bodice to lower the bust darts and ended up having to make just one French dart, because I couldn't for the life of me figure out how to lower two parallel French darts. I also lowered the neckline a bit, and I self-lined the whole bodice instead of using facings. That gives it a nice finish, but the bodice yoke facing was shaped to pull the neckline in a bit above the bust - you can see in the photos below that not having that means there are some problems with gaping. It's not unwearable - I wore it to a party quite happily - but I'm seriously considering making a facing and hand stitching it to the lining and seams to try and bring the gape down. (Has anyone else ever done this? Any tips?) I inserted an invisible zip for the side fastening instead of poppers (so much safer). I was running out of time by the time I got to the hem so I machine-stitched folded ribbon over the raw edge then used fusible hem tape to secure the hem - not ideal, I know, but at least the body in the fabric means I more or less got away with it. I made a long sash instead of a belt. Oh yeah, and I accidentally cut the skirt on the crosswise grain, which definitely didn't help with the drape!
Despite the reservations I'm quite proud of this dress - it's the first time I've worked with silk, the first time I've redrafted a pattern, and I took a lot of care finishing the insides with French seams, seam binding, self-lining etc - but I definitely learned a lot of lessons for next time!
hello
Hi all, I'm Gini, and like many others who have posted here, I have been lurking about reading your posts and checking out your blogs and have now, finally, decided to take the plunge and join you.
Weigel 1941 - an Australian Pattern
My friend has loaned me a bunch of her vintage patterns, and I'm making them up one at a time, and giving a short review on my Crafty Adventures Blog. This pattern is actually an Australian pattern maker from the 1800s and she lived in Melbourne!
I've changed it a little bit (mostly in the length!) but there are a couple more pictures on my blog for you. How darling are those buttons and that it's kinda coat like even though it's a dress? All my materials are totally thrifted, buttons, zipper (on the side) and material (even the thread) are second hand in some way. Yippee!
NICE! Great seeing all your creations recently! Yay!
Pattern Tracing, Act 1, Scene 1: The Second Grade
You are correct, I made my first attempt at grading! Well, actually, step one, tracing. Apparently I need to go back to 2nd grade.
Pattern Tracing Experiment: Act 1, Scene 1
Aim: To accurately transfer a vintage pattern to a new pattern that can be altered without harming the original
Hypothesis (optional): That I am a bitchin' pattern maker and can do this in a day
Equipment: Tracing Paper, Pen, Rulers, Endless amounts of patience
Procedure:
1. Use a tracing paper that you can see through, you can scan or retrace on sturdier paper later
Inner Child: Laahame. I say use brown paper, it's A; Cheaper, and B: sturdy and you can use it to make everything off of! Two birds with one stone.
2. Trace the pattern, carefully, recording all notations on the original pattern.
Inner child: Whaaaat! Do you know how long that is going to take! Skip it, you should do a "dry run" and not put the marking in. You can always fill it in later. Dude, I should totally write instructions, move over, give me a crayon.
Safety/Risks: Possible alcoholism by end of session.
Results: A completely unusable pattern for regrading. (No crayons were harmed in this experiment.)
Conclusion: In conclusion I turned my frown upside down and used it to make a muslin cut out. I'm sure my inner child was planning that all along.I vow to never make short cuts again (lie), and will be purchasing tracing paper tout de suite! I did however use it to sew a muslin of the dress, because I was really curious to see what the finished project would look like.
SOS!
New to Vintage
Simplicity 6664
I added small orange flower buttons down the back instead of a zipper. Zippers can be the bane of my existence and I was in no mood to wrestle with one.
I used Simplicity 6664 and made View 3. In all my years of sewing, this is my first time using a vintage pattern. It's in immaculate condition and was so easy to work with. I can't believe it's taken me so long to 'go vintage.'
Read more about this project and more here.
Lily's intro
I don't really have a favourite era... I love Regency dress, the Edwardian period, the 20s, 30s, 50s, 60s and some 70s... so basically everything except the Victorian era and the 40s!
This is my latest creation. More pictures on my blog, so please check it out!
Let Me Introduce Myself
I love to sew and have been sewing since I was 9 years old. My granma taught me on her hand crank Singer sewing machine. I started out making doll clothes and have branched out over the years to clothing, totes, bedding, and just about everything in between. I also have a great love of rhinestones and often add them to my creations. After all, shouldn't everyone feel sparkly? ;)
My favourite eras are the 1920s, 1940s, and 1950s. I'm a bit of a mishmash of June Cleaver, Betty Rizzo, and Velma Kelly! I love Rockabilly style, vintage prints, bold colours, and retro design. I'm looking forward to sharing what I make for my June, June, & Junie Project.
To find out more about me, my sewing, and my projects, please visit my blog.
Sarah :)
Vintage Red, a new blog!
My name is Carisa, and I have been sewing since I was very young. I've always held a love and admiration for vintage clothing and sewing. I started reading this blog and several other vintage reproduction sites (Eva Dress and Wearing History) and decided to delve into the vintage blogging world!
A little about me:
_________________________________
Hello!
I am a fellow sewing fanatic living in the UK, and with a penchant for the styles and elegance of the 50's and 60's - think Sophia Loren and Audrey Hepburn. Last year I learned how to cut my own patterns and have been sewing up my own designs ever since.
I have a sewing blog, "House of Marmalade" which celebrates vintage style. This is my third year of blogging and during 2010 I will be really focussing on design and pattern cutting, inspired by all the vintage patterns I have been drooling over on the internet! My latest post HERE describes my aims!
The latest project I completed (and blogged about!) was a party dress for the festive season. I like to think it had a retro feel inspired by the glamorous girls in Elvis movies! (or is it because when this pic was taken, Elvis was on the radio?!)... It is a strapless dress with an inner corsolette to keep everything in place! You can see the story of it's construction by clicking the picture.
I would love you to pop over and visit my blog where you will find lots of hints and tips along with my daily musings on life, The sewing universe, and everything ... Thanks for reading and nice to meet you!
A warm kimono jacket
Pour toutes celles qui ont envie d'un gilet doudou, d'un kimono dans lequel se blottir, je recommande la couture du patron Simplicity 7271, de 1975. Le gilet- kimono est d'une facilité appréciable pour qui a du mal à se concentrer à la fin d'une journée surchargée. Il est cousu ici en laine polaire noire, achetée sur le site internet du Marché aux tissus. La ceinture est doublée d'un tissu japonisant, déniché au magasin Modes et Travaux (Paris 8ème Arddt) un jour de déplacement.
Lathelize
It's a quite difficult pattern and I had some difficulties to get a nice neck. Sure, it was not a so good idea to choose a striped fabric.
However, it's a very elegant top and I am very happy with it!
Pour toutes celles qui veulent se lancer dans la couture vintage, de magnifiques patrons, de toutes les tailles et de tout style, sont à vendre sur etsy.com.
Le patron qui a donné lieu à cette histoire est le butterick 3208. Il date du début des années 1960.Il est à recommander aux couturières qui ont un peu d'expérience et beaucoup d'audace, ou l'inverse. La tunique a été confectionnée dans un tissu 100% coton, rayé bronze et noir, acheté au marché du Tonkin ( Villeurbanne- 69). Pour une première fois, optez plutôt pour un tissu uni qui vous évitera le casse-tête de raccorder des rayures.
lathelize
Vintage pattern finds and a giveaway
I'd just like to share some great patterns I managed to dig up from the local Salvos store not too long ago - aren't they gorgeous?
I picked girl patterns due to having 2 nieces and no nephews to sew for - so I can't wait to get started. I'm hoping all the pieces are intact but either way they were a bargain - all for less than the cost of a normal modern pattern!
Speaking of which, I am hosting a giveaway on my blog for a pattern for children's clothing - all are welcome so please feel free to enter :)
A Bit Late
1942 Nightgown Becomes Dress
But being a relatively novice sewist I was a little apprehensive of delving into the world of 40's patterns. But, with a little more experience up my sleeve, I decided to have a go:
It was a little big on me, so I increased the seams to about 2.5cm. I still have plenty of room to pull on over my head - which is lucky, cos I have quite wide shoulders.
The pattern was an absolute dream to sew -- and the instructions were surprisingly easy. I got the fabric and lace trim while visiting my family in Queensland just after New Years. I have put some more pics on my blog if you'd like to see some more. Thanks!!
Skirt With RI
Vintage Pattern Charity Auctions
I've just listed several vintage patterns all as charity auctions. 100% of all proceeds go to Doctors Without Borders. Please bid generously and please share this so we can raise money for medical care in Haiti. Thanks!
Vintage Pattern Charity Auctions
Make and Mend for Victory!
Where have all the patterns gone?
The mystery deepens over at my blog!
a bit of this, a bit of that
Next I made a circle skirt for myself from a sturdy cotton printed in a caramel/yellow bias plaid pattern that I bought in an op shop some time ago. I used Style 1932, which is a 1970s version of a 50s style circle skirt, right down to the poodle applique. However I made a fundamental mistake with this one - I was so busy trying to match the plaid pattern at the seam lines (which I failed in anyway) that I overlooked cutting the skirt panels on the bias and as a result the skirt doesn't ripple evenly around the body. It's not too obvious from this photo, but the skirt does tend to gather at the centre and side seams and I seem to be constantly rearranging the folds. Oh well, notch that one up to experience, when a pattern says cut something on the bias it's for a reason! The white blouse is made from a Burda magazine pattern.
My most recent project is a bow tie neck blouse made from Simplicity 4676. So simple to make, yet it came out fantastically in terms of fit and finish without any alterations to the pattern. This is also made in a modern fabric, a dark red pinstripe, but there was a scrap of fabric in the envelope from the previous owner which funnily enough was a dark blue pinstripe fabric!
Sadly now my overlocker is burnt out and in need of a service so the sewing has to come to a halt for a little while. Might be a good time to clean up my sewing room! Or not.....